READ covers fiction, fanzines, zines with no fans except for us, websites, blogs, magazines, artist's books and other independent releases. Chances are, if it's been published then we know about it and chances are, if it's not in ThreeThousand, then we didn't like it. READ is for people who were born with ink in their veins and a fat balding critic on their shoulder. READ has also created more best-sellers than Oprah's Book Club and more wannabe to be writers than Hunter S Thompson.
Despite its title, there's very little actual or suggested violence between the covers of Kill Your Darlings. Unless you count Gideon Haigh's point-blank assassination of Australian book reviews.
Named for William Faulkner's oft-quoted advice to writers to 'ruthlessly cut out that which doesn't serve a purpose', the brand new fully independent local journal is neatly segmented into Commentary, Fiction, Interview and Review, assisting reader and writer alike.
Issue 11 of Five Dials begins with a note on lists, and how useful they can be as effective slices of biography, hinting at what's going on in a person's life at the time of list writing.
If I showed you my current list you might dislocate your jaw from yawning so hard ("Remove apostrophe from 'you're'", "Change photo background to white") so I thought instead I'd write a list of the things that went through my head while reading Five Dials:
1) Heh.
The first two issues of NZ based street culture magazine The New Order were wildly ambitious affairs, squeezing every hip name imaginable in between the covers from Ian Astbury to VisVim. The results were overwhelming and a little boring, akin to skim-reading a google search for 'cool'.
The third issue is different.
San Francisco and New York are the touchstone cities of American literature, leaving somewhere less fashionable like Chicago out in the wind and rain, despite the fact Hemingway, Eggers and Obama all grew up there. Strangely, Chicago has found an unusual champion in UK lit journal Granta.
The Chris Ware wraparound cover promises much.
If you think you are going to understand Here and There magazine in the next 180-200 words, think again. Here and There appears rather than gets published. It is like a dropped diary on the street, highly personal in a way that deserves to be respected, but you don't have to return it to the rightful owner.
Jonathan Zawada is a man of many forms. He is one of the artists behind Glory Holes, he is the designer of What I Think About When Dancing, he is Petit Mal!, he is the creator of Rockmen, and the collaborative mind behind some of the silkiest tie-dye we've ever worn. For the purpose of this article, Jonathan is Fashematical, a limited-edition zine to commemorate the 50th (or 55th, who's counting) equation on his blog, Fashematics.
Theodore Roosevelt once said, "It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood." Well honk if you love Theo, but I think that's a big bucket of beans.
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