Keyword results: Karen Moncrieff
Dead girls are great motivational tools. Cinema has a proud traditionof heroic men happily fetishising female corpses to justify their two hours of angst. Hitchcock’s Rebecca, De Palma’s Black Dahlia, Twin Peaks and its poor Laura Palmer… and so, so, so many more.
New American indie The Dead Girl sounds like more of the same: five interlocking short pieces beginning with a mutilated body,all muted shadows and gothic overtones.
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