Keyword results: Documentary
Back in 2004, Tim Minchin was a ranga from Perth who wrote weird satirical songs that record companies didn't know how to market. Then he had a makeover! (I love makeovers.) Rock'n'roll eyeliner! Chemically straightened hair teased up, like Russell Brand! Unbuttoned shirts! And get this: it totally worked.
Why does Dominick Dunne hate Frank Sinatra? Because Ol' Blue Eyes once instructed a flunky to punch Dominick in the head as a lark. Yes, Dunne's career trajectory - from social climber to movie producer to "the defining voice of Vanity Fair" - is weighed down by a torrential downpour of Old Hollywood name-dropping.
In 1974, French tightrope walker Philippe Petit strung up a cable between two corners of the World Trade Centre buildings in New York and went for an awe-inspiring stroll. Suddenly, the up-til-then ambivalent public response to the new constructions was converted into a fever of art-fuelled patriotism.
When Patti Smith moved to NYC in 1967 she said she was going to "kick poetry's ass". Obviously it was not only poetry's butt that had the boot coming. But how Patti got from the pig swamps of Jersey to godmother of punk is a story we all need to hear.
Filmmaker Steven Sebring brings us a document, narrated by Smith, charting eleven years in her life - travels, concerts, spoken word performances, painting, photography, writing and thinking.
War might be hell, but it's also totally awesome, right? That's the message embedded in most war movies. François Truffaut even claimed it's impossible to make an anti-war film, as the big screen automatically turns bodies and bullets into fodder for spectacular cinematic ka-boom.
Ari Folman's animated kinda-documentary Waltz With Bashir makes a convincing case that Truffaut was wrong.
If you hate Battle of the Choirs, but you like old people, Sonic Youth, and wish to help the homeless, then here's a date for your diary. MIFF and Rooftop Cinema present a charity screening of Young at Heart this Wednesday night on the roof. It's not one of those docos where you will sit there thinking, awww, look at the old people singing the rock 'n' roll - they're so heartwarming.
Deep breath. Okay. Standard Operating Procedure is a horror film first and documentary second.
Too many documentaries are mediocre films on amazing subjects. But Errol Morris, critical darling of the doco-scene for decades, is a master - and now puts those held responsible for the prisoner abuse at Abu Ghraib under his microscope.
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