Author results: Wilfred Brandt
While low budget films flourish in other countries, us ‘civilised' white folks hardly ever make cheap, fun, ‘bad' movies anymore. Which SUCKS.
Something Weird Video specialise in boldly bizarre and bad movies; go-go girls, nudist camps, hippie drug casualties, low-budget sci-fi, gore, juvenile delinquents.
Sometimes I wish I didn't have to tell you about music via a flashing computer screen.
I wish I could just play you something at a party. Or make you a mix CD. Some things are better if you find them out by accident, or from a friend. The Besnard Lakes have too much personality for the impersonality of a computer screen.
Words like magical, enchanting, and playful get used a lot these days. Unfortunately, they're often meant to endear you to bands whose work has more twinkling and twee affectation than real emotion.
These words could describe Holly Miranda's debut - but DON'T be frightened by this (or the album's title or artwork.
We live in tiny apartments on tiny budgets. We can't afford giant works of art selling for giant sums of money.
What we can afford are small, beautifully crafted books and zines, cataloguing more works of art in a six-inch stretch of bookshelf than we could ever afford in wall space. Though more expensive than a Whopper value meal, as far as luxury goes, these are our "tiny" vices.
American auteur John Waters' early films involved overweight drag queens eating fresh dog poop, and singing anuses. His recent works include Tony Award winning Broadway musicals and Hollywood A-list stars. In John's one-man show, 'This Filthy World', he explains his unbelievable career trajectory in his inimitable, frank, sardonic, style.
The history of punk and DIY music is super inspiring, and songwriting is fucking tough.
These are just two reasons why Chris Knox is revered not only in his native New Zealand, but worldwide. In 1979 he formed Tall Dwarfs with Alec Bathgate, helping to pioneer a lo-fi, DIY aesthetic that combined punk's simplicity and disdain for musical virtuosity with home-recording experiments, cryptic lyrics, introspection, and the ultimate rebellion in counter-culture circles - admitting to love pop songs and hooks.
What David Lynch showed us with Blue Velvet was how beneath the ordinary, everyday life... there's some creepy shit going on. What we try and show each week with ThreeThousand is how beneath the ordinary, everyday life, there's some awesome shit going on.
Ordinary Magazine shows us that there's a fine line between creepy and awesome.
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